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The faades of Rheims, Chartres, Amiens had not yet come into existence, and Italy still gave the preference to mosaic rather than to statuary, and, as Ferreiro adds, she had not yet grasped the way to adapt statuary to architecture

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On the other hand, perhaps it was felt that the yellow and white detailing would get washed out on the blue (as it did on the McLarens red parts), so it could be a blessing in disguise