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It is this deft ambiguity and vague tiptoeing around the concrete that encapsulates the ambiguous sound world of Kamaru’s vision
driving passages collide with sparse
It is a celebration of the beauty of endurance
cannot miss
V/A - Aftermath And Transitions (Traces Of The Ukrainian Underground In Cologne (1994-1996) LP Stoner It is this deft ambiguityI got to know visual artist, musician, and producer Guido Erfen and sound engineer, acoustic artist, and percussionist Michael Springer as part of a group of five by the name of SHM1. The members of the group organised concerts at Rhenania, a disused grain silo, where I performed with The Absurd in 1988 and 1989. The band was also featured on one of Erfen's tape releases. Erfen and Springer met when they were still at the same secondary school and
