![Blue Affair | Kosuke Okahara | The Backyard 2020 [SIGNED] Seiji Kumagai Every morning](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN7521cover_Grande_e44026fb-839e-4283-a554-0356275e52df.jpg?v=1724790165)
![Blue Affair | Kosuke Okahara | The Backyard 2020 [SIGNED] Seiji Kumagai Every morning](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN7521_Grande_8216c162-fa81-468e-9650-9ba986a8da85.jpg?v=1724790166)
![Blue Affair | Kosuke Okahara | The Backyard 2020 [SIGNED] Seiji Kumagai Every morning](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN7522_Grande_56700980-ec4d-412c-b951-01c0e6a6eedb.jpg?v=1724790165)
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Every morning
resulting in prints with a unique material feel
It’s her house
” - from Tsubasa Kawakuchi’s foreword
Blue Affair | Kosuke Okahara | The Backyard 2020 [SIGNED] Seiji Kumagai Every morningblue affair is an experimental shortfilm and a photobook based on the photographers dreams of his time spent in the town called Koza. In the pictures captured in Koza by Kosuke Okahara, I dont see the photographer. Its not because he was the one photographing, or for some other physical reasons. I dont find superficial emotions emanating through his lens from either the subjects or from the photographer. This might not make sense, but it feels to me
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